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Between Art and Industry 25 MAY 2012 – 4 JULY 2012 National Craft Gallery, Killenny, Ireland

Friday, March 30th, 2012

Exhibition at the National Craft Gallery, Killenny, Ireland

BETWEEN ART AND INDUSTRY 25 MAY 2012 – 4 JULY 2012

Between Art and Industry explores the decline of  traditional craft industries in Ireland and the UK. The exhibition will reflect on the social impact of the demise, through the use of evocative imagery utilising text, film and sound. The exhibition is a co-production with the Millennium Court Arts Centre in Portadown, where it will tour in August 2012.

Artists:

Róisín de Buitléar

Glass artist Róisín de Buitléar has researched the history and tradition of Irish brilliant glass cutting in order to evolve new and contemporary responses within her own practice, and also to capture and honour this unique craftsmanship before it disappears. Her research has involved recording oral histories with Waterford master craftsmen, and recording the realities of the closure of Waterford Crystal through photo documentation.

Neil Brownsword

Ceramicist Neil Brownsword’s practice centres on the detritus of the ceramics industry in his home town of Stoke-on-Trent. He often works directly with the factory off-cuts, saggars and ‘wasters’, combining, glazing and re-firing them into new forms. His work combines the role of maker with that of social historian. In 2005 he made a set of films called ‘Collaging History’ about the Wedgewood workers, in order to capture the oral history.

Molloy and Sons

Molloy and Sons are artisans. One of the few authentic producers of Donegal Tweed (the name is not protected), this father and son team have five generations of history in the textile business, stretching back to the 19th Century. Their yarn is spun and felted locally, whilst designing, warping and weaving are all done in-house.  Although many elements of the process are mechanized, the nature of the yarn, with its flecks of felted wool, require slower speeds and constant attention. The quality of the fabric they produce has ensured that it has appeared on catwalks around the world, and Molloy and Sons have carved out a niche for themselves as specialised craft producers.

This quiet, contemporary success story is a counterpoint to the larger, industrialized models of Waterford Glass and the Stoke potteries, and their more dramatic failures.
Whilst the shifting patterns of global methods of production and trade could be attributed as the cause of those failings, one of the questions this exhibition raises is whether small-scale production is the secret to success?

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On Tour

Millennium Court Arts Centre, Portadown1 August 2012 – 31 August 2012

1st – 31st August 2012

www.millenniumcourt.org

http://www.nationalcraftgallery.ie/exhibitions/between-art-and-industry

 

 

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Motion – Gaelscoil Naomh Phádraig, Lucan

Friday, March 30th, 2012

Working on a new project based on Motion with 4th class of Gaelscoil Naomh Phádraig, as part of the CraftEd project initiated by the Crafts Council of Ireland to bring artists into primary schools to introduce different craft experiences to school communities.

http://www.learncraftdesign.com/craft-materials/man-made-new-technologies-2

http://www.learncraftdesign.com/

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Lukáš Jabůrek of Moser Glassworks Czech Republic – guest artist at the studio

Friday, March 30th, 2012

Hosting Lukáš Jabůrek design director at Moser Glass at Karlovy Vary Czech Republic has been a wonderful experience. For six weeks we have collaborated on a number of my current projects, exhibition work, making glass pieces at the workshop of Irish handmade Glass in Waterford, teaching, workshops, sharing design ideas and development for future projects. It has been an exciting cross cultural exchange. More to follow soon!

http://www.moser-glass.com/en/

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Irish Wave exhibition Shanghai, Beijing China

Friday, March 30th, 2012

A SERIES OF VISUAL ART EVENTS CELEBRATING IRELAND’S PRESENCE IN CHINA
Irish Festival, Beijing & Shanghai March 2012
Sponsored by Culture Ireland, Crafts Council of Ireland, Embassy of Ireland, CIT, IMOCA, National Sculpture Factory, Cork City Council and Irish Centre Shanghai

IRISH WAVE will come to Shanghai for the first time ever this year, celebrating the Irish Festival with two exhibitions, Telling Tales and Elements.

‘Elements’ is an exhibition of contemporary glass and ceramics by Irish and Chinese artists. ‘Elements’ investigates the delicate personal narratives at the heart of the artists’ work, expressing a deep connection with landscape and culture. The artists have chosen their media because the materials they use have spoken to them, and given them a way of voicing their inspirations, creating works with individual and different influences, yet which share an expressive quality.

The Preview evening begins at the Shengling Gallery in Red Town where the ‘Elements’ will open at 4pm, and will proceed to the Irish Centre for the opening of ‘Telling Tales’. ‘Telling Tales’ is a multi-media exhibition of Irish and Chinese artists whose work focuses on how artists use text and books as inspiration. 30% of all the monies raised from sales will be donated to the Centre for its many charitable activities in China.

‘Telling Tales’ is curated by Fion Gunn and ‘Elements’ is curated by Mary Mackey, as part of IRISH WAVE 2012.

Preview & date: 16 March 4-6pm Preview & date: 16 March 6-9pm
Elements Telling Tales
Shengling Gallery Irish Centre Shanghai
A2-101, 570 Huaihai Road W. Unit 203 Central Plaza
Changning District, 227 Huangpi Road (N)
Shanghai 200052 Shanghai 200003
Website www.shenglingart.com Website: www.irishcentreshanghai.com

Mary Mackey, Sean Campbell, Michael Ray, Cormac Boydell, Nuala O’Donovan, Debbie Dawson, Alison Lowry, Andrea Spencer, Aoife Sodden, Roisin De Buitlear, Kevin O’Callaghan.

OTHER IRISH WAVE EXHIBITIONS IN 2012 (Preview dates)
- National Center for the Performing Arts, Beijing – ‘Instruments of Pleasure’ (11 March) – -
- With Space Gallery, 798 Beijing – ‘Convergence 3′ (24 March)
- Siemens Arts Space 798, Beijing – ‘Intimate Revolution: Discourse on Disappointment’
(8 March)
- Yan Chao Collection Gallery, Guomao, Beijing – ‘Hidden Meanings’ (9 March)
website www.bigsmallartists.com

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Selection for European Glass Context 2012

Monday, February 13th, 2012

Róisín de Buitléar has been selected to represent Ireland at;

European Glass Context 2012

15.09-18.11

PRESENTING THE BEST OF EUROPEAN GLASS

BORNHOLM – DENMARK

The exhibition European Glass Art represents professional and established artists within the field of glass art.  European Glass Art will be shown at Bornholms Art Museum from 15.9 – 18.11.2012.

To see full list of participating artists go to http://www.europeanglasscontext.com/events/exhibitions

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Adornment An Exhibition of Photography and Jewellery at Designworks Studio, Cork

Wednesday, August 31st, 2011

Adornment

An Exhibition of Photography and Jewellery at Designworks Studio, Cornmarket, Cork, opens September 22nd 2011. Featuring The Urban warrior collection of Jewellery by Tuula Harrington in collaboration with Róisín de Buitléar. Also featuring jewellery by Rachel Swan, Ger Breslin, Sam Lafford, Mette O Connor, Christina Brosnan, Seamus Gill, and Derek Mc Garry, with photography by Agata Stoinska. Concept and art direction by Eddie Shanahan.

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GLASS IS TOMORROW

Tuesday, August 30th, 2011

September 12th – 15th Róisín de Buitléar takes part in GLASS IS TOMORROW, a European network for the promotion of high level craft and design in contemporary glassmaking. Nuutjäravi, Finland.


First workshop – 12-15 September 2011 – Nuutajärvi Finland

Pro Materia is proud to present its latest project, supported by the Culture (2007-2013) Programme of the European Union

GLASS IS TOMORROW is a European network which aims at establishing a more fluid exchange of knowledge and competencies between glass and design professionals in the north, south, east and west of Europe. Glass aesthetics and techniques will be explored by tandems of designers and glassmakers to develop new typologies of everyday objects. The project hopes to open up new potentialities and to generate dialogue about the conception, production and distribution of glass pieces.

HOW? 3 workshops
WHEN? 12-15 September 2011 (FI), 30 January-3 February 2012 (CZ) and 9-18 July 2012 (FR)
WHERE? Nuutajärvi glass village (FI), Prague (CZ) and Meisenthal (FR)
WHO? Each workshop hosts 5 tandems of designers and glass makers
WHAT? Co-creation of around thirty prototypes of utilitarian glass objects within a theme
RESULT? A reference publication, video documentary and photographic portfolio by James Bort (www.jamesbort.com) in combination with a touring exhibition in Europe
PARTNERS?
BE: Pro Materia www.promateria.be
FI: Iittala www.iittala.com
CZ: VERREUM www.verreum.cz
FR: Centre International d’Art Verrier www.ciav-meisenthal.fr
UK: Vessel Gallery www.vesselgallery.com

Pro Materia is proud to present its latest project, supported by the Culture (2007-2013) Programme of the European Union

GLASS IS TOMORROW is a European network which aims at establishing a more fluid exchange of knowledge and competencies between glass and design professionals in the north, south, east and west of Europe. Glass aesthetics and techniques will be explored by tandems of designers and glassmakers to develop new typologies of everyday objects. The project hopes to open up new potentialities and to generate dialogue about the conception, production and distribution of glass pieces.

HOW? 3 workshops
WHEN? 12-15 September 2011 (FI), 30 January-3 February 2012 (CZ) and 9-18 July 2012 (FR)
WHERE? Nuutajärvi glass village (FI), Prague (CZ) and Meisenthal (FR)
WHO? Each workshop hosts 5 tandems of designers and glass makers
WHAT? Co-creation of around thirty prototypes of utilitarian glass objects within a theme
RESULT? A reference publication, video documentary and photographic portfolio by James Bort (www.jamesbort.com) in combination with a touring exhibition in Europe
PARTNERS?
BE: Pro Materia www.promateria.be
FI: Iittala www.iittala.com
CZ: VERREUM www.verreum.cz
FR: Centre International d’Art Verrier www.ciav-meisenthal.fr
UK: Vessel Gallery www.vesselgallery.com

Stackability workshop in Finland

(Image: Flower vase, Aino & Alvar Aalto for Iiitala, New York World’s Fair, 1939)

The first GLASS IS TOMORROW workshop, focusing on the theme ‘stackability’, will take place from 12 till 15 September 2011 in the Nuutajärvi Glass Village in Finland in collaboration with Iittala.

The following glass makers and designers will participate in this first workshop:
Jeremy Wintrebert (FR)    www.jeremyglass.com
Heikki Viinikainen (FI)   www.studioviinikainen.com
Antoine Brodin (FR)    www.jeremyglass.com
Róisín de Buitléar (IR)   www.roisindebuitlear.com
Matteo Gonet (CH)    www.matteogonet.com
Sara Hulkkonen (FI)   www.studiosara.fi
Hubert Verstraeten (B)   www.tamawa.be
Rony Plesl (CZ)    www.ronyplesl.com
Tadeas Podracky (CZ)   www.ronyplesl.com
Cecilie Manz (DK)   www.ceciliemanz.com
Alfredo Häberli (CH)   www.alfredo-haeberli.com
Lucie Koldova (CZ)   www.luciekoldova.com
Dan Yeffet (ISR)    www.danyeffet.com
James Bort (video/photo) (F)  www.jamesbort.com

MORE INFO? www.glassistomorrow.eu

Glass is Tomorrow is curated by Pro Materia, supported by organizing partners Iittala, Verreum, CIAV and Vessel Gallery. The project enjoys the support of the Culture Programme of the European Union and of its associated partners Fabrica, Secondome, Gallery S. Bensimon, Fondation d’entreprise Hermès, La Cristallerie Saint-Louis and Klaus K Hotel.

Category : News

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National Museum of Ireland Purchase

Tuesday, August 30th, 2011

The National Museum of Ireland purchases Time Spent for National Collection as part of the joint purchase scheme with the Crafts Council of Ireland

This piece is a homage to the heritage of Irelands lacemakers. In the 1830′s young women aged between 11 and 14 financially supported their families by making lace pieces in lace schools from 6am – 6pm each day.

The engraving is an interpretation of a tambour wedding veil from the Rowe collection, which has been engraved using a drawing style, catching the light as it might fall in a drawing of the lace but imitating the actual stitches which were intricate and varied in pattern throughout. It is in the cast shadow of this piece that the spirit of the work is captured.

Currently on view at the Museum of Decorative Arts, Collins Barracks, Dublin.

Title : Time spent, Limerick lace series,
Photo credit Mike Kay
Year of creation, 2009
Dimensions, 340mm x 300mm x 600mm
Materials and techniques used. Blown glass, diamond point engraving

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Craft Master; RTE Television 1: Tuesday 6th September 2011. Hot glass

Tuesday, August 30th, 2011

Craft Master: Tuesday 6th September 7pm RTE one. Big Mountain Productions.
Programme one; HOT GLASS
Filmed on location at The Irish Handmade Glass Company, Kite Design studios, Henrietta st Waterford.

In the first programme of a new series ‘Craft Master’ three apprentices mentored by Róisín de Buitléar, are coming to terms with designing, blowing and producing exhibition standard pieces in one week. Filmed on location in the glass studios of the Irish handmade Glass Company, Henrietta st, Waterford. Craft Master takes three apprentices, Anne Marie Hayes, Aoife Soden and Sinéad Brennan, through a gruelling week of design and production in the hot glass workshop. For one of them it is their first experience of handling hot glass.

The apprentices faced many challenges in the short time allowed to produce prototypes and finished pieces suitable for exhibition. The apprentices worked with molten glass to produce their specific design under the watchful eye of their mentor, hundreds of visiting tourists and expert craftsmen.

Glass blowing and hot glass sculpting are difficult and challenging skills to master. In the past Ireland was a world leader in the production of handblown glass. Learning to expertly manipulate liquid glass at temperatures of 1100 degrees centigrade, takes many hundreds of hours of practise, great stamina and intense concentration on coordinating movement of the body and material. In glass factory training it takes at least 7 years, to become a master blower.

Developing innovative design ideas in glass while dealing with intense heat, physical demands and the vulnerability of the material, are only some of the challenges the apprentices faced during the making of this programme.

Airing on RTE one at 7pm on Tuesday 6th September 2011 watch how this beautiful material is manipulated and coaxed into three very different solutions by three very lively and talented women.

http://www.rte.ie/tv/craftmaster/

http://www.theirishhandmadeglasscompany.com/?goal=contents&mode=aboutus

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21st Century Irish Craft at the National Museum of Ireland

Friday, July 29th, 2011

The origins of the National Museum of Ireland (NMI) date to the foundation of its forerunner the Dublin Science and Art Museum in 1877. At that time and up until the early twentieth century acquisition of contemporary applied arts, both national and international was an important aspect of collecting. This situation changed on Irish Independence in 1922, and from that decade on the collections policy of the museum turned almost exclusively to that of historical collecting of Irish decorative and applied arts.

Irish Contemporary Craft Collection

In recent years this situation has changed, and the NMI has again been in a position to acquire contemporary Irish material for the national collection. Outside of the National Museum’s own budget, there is a joint purchase fund with the Crafts Council of Ireland since 2004, which has significantly helped in establishing an Irish contemporary craft collection held at Collins Barracks.

A selection of objects acquired as a result of this fund are on display at the National Museum of Ireland – Decorative Arts & History, and include the best of Irish ceramics, glass, furniture, wood-turning, jewellery and metals.

  1. Two pieces from the colection by Róisín de Buitléar will be on view, Lios na ng – purchased 2007  and Time spent – purchased 2011.

Category : Exhibition | News

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